cinematelevisionmusic

Willow Creek, Bobcat Goldthwait’s last fictional release to date, is a found footage film about a couple, Kelly and Jim, played by Alexie Gilmore and Bryce Johnson, who [...]

In many ways, V/H/S/94 was the most paradoxical film in the entire V/H/S franchise. On the one hand, it rebooted the V/H/S brand after a hiatus of seven years, and restored [...]

Good Will Hunting is one of the great fairy tales of the 1990s, and one of the great films about mentorship. In fact, watching it made me realise how rare it is to see [...]

94 marks a distinct shift in the V/H/S franchise from the classical phase of the first three films to a self-consciously classicist era. V/H/S, V/H/S/2 and V/H/S: Viral came [...]

V/H/S: Viral has received the worst reviews of the franchise to date but, in some ways, it’s one of the most original and inventive instalments. That’s because it’s the [...]

To some extent, V/H/S/2 follows the template of V/H/S, the first film in the franchise. Once again, we are presented with an abraded and distorted video tape that glitches in [...]

On the surface, V/H/S – the first film in the V/H/S franchise – is an anthology film. It consists of six different shorts, all related to VHS technology, and all helmed [...]

Tár is Todd Field’s first film in sixteen years – and, like Terrence Malick’s The Thin Red Line, it feels like a statement that’s been years in the making. After the [...]

In many ways, horror has become harder to achieve during the streaming era. Since so much horror depends upon the sense of being trapped within the film, the fluidity of [...]

Most people in the present have probably discovered All Hallows Eve by moving backwards from Terrifier 2, Damien Leone’s breakout blockbuster, and its predecessor, [...]