Filming a sequel to 2001: A Space Odyssey is a bold prospect, but Peter Hyams managed to do it with some success in 2010: The Year We Make Contact, an adaptation of Arthur C. [...]

The Black Phone is Scott Derrickson’s latest film – and it is an extraordinary continuation of the concepts and approaches that he adopted in Sinister. Based on a short [...]

In possibly the greatest escape story ever committed to film, The Rescue tells the epic of the 2018 Tham Luang cave rescue, in which a team of twelve association football [...]

Despite receiving negligible big screen time, Ambulance is one of the more remarkable films in Michael Bay’s career, a late masterpiece that is comparable in scale and [...]

Mimi Cave’s Fresh is the latest addition to the burgeoning new wave of cannibal horror films, although it veers more towards a psychological thriller, recalling 10 [...]

Ti West’s latest film, X, is a remarkable dissection of the 70s counterculture, the backlash it produced, and the ways we might think about that reaction in the present [...]

Baz Luhrmann’s films revel in musical anachronism, and Elvis Presley was himself the ultimate musical anachronism, so there’s a perfect synergy between artist and subject [...]

Alex Garland’s latest film, Men, takes us on an eerie and elliptical journey through the psyche of Harper Marlowe, a British woman, played by Jessie Buckley, who makes a [...]

Holy Spider, the third feature directed by Ali Abbasi, is also the third film to focus on Saeed Hanaei, the so-called “Spider Killer,” who murdered sixteen sex workers in [...]

Over his last couple of films, Ruben Östlund has gradually gestured towards a new kind of social media event, or a new way of understanding events as they happen in the [...]