Stanley Kubrick’s second and best war film was set during World War I, but its message feels just as universal and existential as that of Fear and Desire, his enigmatic and [...]

Bookended by The French Connection and Sorcerer, The Exorcist is the pivotal middle term in a rough trilogy that captures the height of William Friedkin’s 1970s output. All [...]

Stanley Kubrick’s third film is still one of the greatest heist films ever made – a tightly and tautly plotted study of a group of men, led by Johnny Clay, played by [...]

Stanley Kubrick’s second film, Killer’s Kiss, was an ethereal combination of noir and neorealism, like so many of the second-wave American noirs of the 1950s, which [...]