Logan Lucky marks Steven Soderbergh’s return to cinema after a hiatus of three years, during which time he directed the entire two seasons of The Knick, along with the HBO [...]

Now that courtroom drama has more or less vanished as a cinematic genre, it can be quite startling to look back upon all the forms it took throughout the 1990s, as well as [...]

Stanley and Iris was Martin Ritt’s final film, and it’s a beautiful swan song to his career. More specifically, it’s a beautiful swan song to his working relationship [...]

One of the biggest challenges to contemporary cinema is how to rehabilitate the romantic comedy for an era and demographic that seems to have utterly exceeded its message [...]

It was fashionable, at the beginning of the 90s, to treat genre as a source of metafictional play and to deconstruct genre tropes for a new kind of knowing and [...]

One of the funniest and most existential adaptations of John Le Carre, The Russia House may also be the most spectacular and sublime. It’s also closer in time to its source [...]

Based on the novella by Jim Harrison, Revenge may just be the most sumptuous film in Tony Scott’s body of work. It may also be one of the moodiest and most melancholy film [...]

Rough Night is Lucia Aniello’s first feature after working on Broad City and Time Travelling Bong, and it’s one of the best crude thirty-something films that have become [...]