Let Him Go, Thomas Bezucha’s adaptation of the novel by Larry Watson, is one of the quieter masterpieces of the year – a neo-western that announces its originality [...]
Sean Durkin’s second film is a masterpiece of mise-en-scene, opening with a beautifully and languorously paced prelude that introduces us to its main characters – Rory [...]
David Fincher’s latest film is also one of his most unusual – a kaleidoscopic account of the life of Hollywood screenwriter Herman J. Mankiewicz, played by Gary Oldman, [...]
Eliza Hittman’s latest film is an austere character study of Autumn, a Pennsylvania teenager played by Sidney Flanigan, who travels to New York with her cousin Skylar, [...]
Christopher Landon’s latest film is an addition to the Happy Death Day expanded universe – not because the narratives explicitly link up here (although Landon has [...]
Along with the horror film Host, Nancy Meyers’ sort-of sequel to the two Father of the Bride movies is the very best thing to be shot in lockdown. As the title [...]
One of the more underrated horror films of 2020, You Should Have Left is David Koepp’s spiritual sequel to Stir of Echoes, and once again stars Kevin Bacon as a family man [...]
While Blumhouse films often have a satirical component, the studio has branched out into a fully-fledged horror-satire melange with Craig Zobel’s The Hunt, one of the most [...]
The Vast of Night, the debut film from Andrew Patterson, is a 1950s fantasia, starting with a slow zoom into a mid-century television set, which flickers on to broadcast a [...]
Spike Lee’s films have always been torn between progressive racial politics and toxic masculinity, but his late work has seen him re-examine that conflict, and strain at [...]