Significant Other, the fourth feature from Dan Berk and Robert Olsen, is an ingenious twist on one of the dominant trends of recent science fiction – namely, a new taste [...]

Glass Onion isn’t exactly a sequel to Knives Out so much as the start of a new Netflix franchise, each instalment of which will presumably follow private investigator [...]

Co-written by Tony Kushner, Steven Spielberg’s semi-autobiographical account of his own childhood, The Fabelmans, is one of his very best films, and one of the great odes [...]

For long stretches, Blonde, Andrew Dominik’s adaptation of the 2000 novel by Joyce Carol Oates, is one of the great films about Hollywood, as visionary, in its own way, as [...]

The Stranger is nothing less than an Australian answer to William Friedkin’s Cruising. It’s notionally about the apprehension of Brett Peter Cowan, who was convicted of [...]

Directed by Phyllis Nagy, and written by Hayley Schore and Roshan Sethi, Call Jane is a remarkably resonant look at the Jane Collective, the underground women’s [...]

Water has always been James Cameron’s great muse. We see it in the liquid transmutations of the Terminator, the deep-sea exploration of Titanic, the xenomorphs of Alien, [...]

Normally, I’m not the biggest fan of trauma horror – horror that basically boils down to exploring the lingering effects of trauma. Resurrection is a big exception to the [...]

Classic postmodern novels seem to be hard to capture on screen, perhaps because they’re often so suffused with cinema that they’ve already absorbed all possible [...]

While Luca Guadagnino has made films with more overtly queer content, Bones and All may be his queerest in spirit – or the richest, so far, in its queerest. In many ways, [...]