Jackie Brown opens with the most buoyant and beautiful sequence in Tarantino’s career to date – a sequence that plays like the film itself captured in microcosm. We start [...]

Jennifer Kent’s follow-up to The Babadook is every bit as horrific, but shifts its focus to Tasmanian history, and the legacy of genocide in Tasmania. In fact, this is one [...]

Few figures posed such a vivid threat to toxic masculinity at the end of the 1980s as Madonna. Not only had she involuted Catholic iconography, but she was openly pro-sex, [...]