Ridley Scott’s second French period piece in as many years is a biopic of Napoleon – and a biopic that in many ways aspires to be as grand and bombastic as Abel Gance’s [...]

In one sense, Thanksgiving is a loose continuation of Grindhouse, Eli Roth’s 2007 collaboration with Quentin Tarantino. As part of that project, Roth and Tarantino released [...]

Saltburn, Emerald Fennell’s second film, is every bit as spectacular as Promising Young Woman, and perhaps every bit as wilfully misunderstood by critics too. Set in 2006, [...]

Opera may not be Dario Argento’s best film but in many ways it is the purest distillation of his vision. It also concludes his classic giallo era by present the genre as a [...]