One of the most perfectly realised of Cronenberg’s first wave of horror films, Scanners spawned two sequels, two spin-offs and has been in development as a television [...]

If there’s one thing that defines contemporary Australian cinema, it’s an anxiety about national mythologies. Of course, those mythologies are present within any national [...]

For all the lush cinematicity of the Three Colours trilogy, there are few auteurs as indebted to television as Krzysztof Kieślowski. In fact, taken as a whole, his career [...]