A Very English Scandal marks yet another impressive addition to Russell T. Davies’ television canon, as well as yet another wry, thoughtful and oblique take on queerness in [...]

No television mode is quite so attuned to economics as reality television, just as no television mode deals with characterisation in such frankly economic terms as reality [...]

It may not have been as hyped as some of its peers, but Mr. Mercedes is one of the most memorable adaptations of Stephen King’s work this decade, on both the big and small [...]

One of the most ambitious and far-reaching documentary series yet released by Netflix, Wild Wild Country tells the story of the great utopian experiment of Rajneeshpuram, a [...]

Over the last couple of years, the idea of white terrorism has gradually become available, for the first time since before 9/11, as an object of critique and discussion in [...]

In an era in which narrowcasting is so dominant, and in which there are so many releases for so many different demographics, it perhaps doesn’t make sense, any more, to [...]

One of the most delightfully absurd releases I have seen in a long time, Loch Ness markets itself somewhat half-heartedly as a “quality” crime series but really takes [...]

In many ways, Cardinal isn’t all that different from the Arctic noir, or Scandi-noir, that has come to dominate television in recent years. First and foremost, it takes [...]

At first glance, Netflix’s Ozark seems like a prime example of what might be called late quality television – a movement that arguably started with AMC’s Low Winter [...]

One of the most bracing Netflix releases of 2018, The End of the F***ing World is based on Charles S. Forsman’s graphic novel of the same name, which follows a pair of [...]