The second season of American Vandal is even more complex and sophisticated than the first. It also sits even more precipitously on the nexus between true crime parody and [...]

In some ways, the second season of American Crime Story is even more ambitious than the first, drawing upon Maureen Orth’s book Vulgar Favors to detail the life and crimes [...]

Over the last ten years, the waning of whiteness and the waning of the romantic comedy have tended to go hand in hand in Hollywood cinema – or, rather, the romantic comedy [...]

A Very English Scandal marks yet another impressive addition to Russell T. Davies’ television canon, as well as yet another wry, thoughtful and oblique take on queerness in [...]

No television mode is quite so attuned to economics as reality television, just as no television mode deals with characterisation in such frankly economic terms as reality [...]

It may not have been as hyped as some of its peers, but Mr. Mercedes is one of the most memorable adaptations of Stephen King’s work this decade, on both the big and small [...]

One of the most ambitious and far-reaching documentary series yet released by Netflix, Wild Wild Country tells the story of the great utopian experiment of Rajneeshpuram, a [...]

Over the last couple of years, the idea of white terrorism has gradually become available, for the first time since before 9/11, as an object of critique and discussion in [...]

In an era in which narrowcasting is so dominant, and in which there are so many releases for so many different demographics, it perhaps doesn’t make sense, any more, to [...]

One of the most delightfully absurd releases I have seen in a long time, Loch Ness markets itself somewhat half-heartedly as a “quality” crime series but really takes [...]