Beatriz at Dinner came out a month after The Dinner and both seem to belong to a similar moment in American cinema, even if they go about articulating that moment in very [...]

Michael Haneke’s most recent film opens as a kind of spiritual sequel to Hidden, although, this time around, we’re presented with three very different kinds of image. [...]

Throughout the second season of Twin Peaks, there was a steady influx of new characters, but “Wounds and Scars,” the seventeenth episode, provided the only two  – with [...]

“Dispute Between Brothers” officially feels like the beginning of the third “part” of Twin Peaks, if not the third season per se, since this is the point at which the [...]

Over the course of our three nights at the Melbourne Comedy Festival we saw three acts in three very different venues. The first of these was Rhys Nicholson’s “I’m [...]

Two key images, or textures, dominate the opening of Leatherface, the third film in the Texas Chainsaw Massacre franchise, and a reboot of sorts. As the opening credits roll, [...]