Edward Berger’s Conclave feels like a throwback to two distinct 90s modes: the mid-budget adult thriller and the corporate Vatican thriller. It’s about a papal conclave [...]
Released only three months after Roll With the Punches, Versatile couldn’t be any more different in its sound. This is an easy listening album, even smoother than What’s [...]
I’ve made a shift to an e-reader (a Kobo) over the last month and it’s been a much easier transition than I was expecting. I do miss the tactility and sensuality of [...]
“Colony” is the most pivotal moment in The X-Files’s mythology since the pilot – in fact, it is effectively a second pilot. Even from the vantage point of our [...]
Roll With the Punches feels like a spiritual sequel of sorts to Pay the Devil. Both albums see Van Morrison moving away from the “close enough for jazz” sound of his [...]
“Fresh Bones” has a ghostly, half-formed quality, although that works quite well with its fixation with the threshold between life and death. It draws heavily on Wes [...]
Towards the end of the last episode, “Irresistible,” Mulder and Scully reflected that the serial killer was “extraordinary in his ordinariness.” “Die Hand Die [...]
Unlike many of his 60s and 70s singer-songwriter peers, Van Morrison’s voice has grown even more resonant with age, becoming deeper and richer without losing any of its [...]
Some of Van Morrison’s best work in the 2000s had been covers, especially on his country album Pay the Devil, while his 2010s work would see him revisiting certain tracks [...]
Van Morrison left the longest hiatus in his career to date between Keep It Simple and Born to Sing: No Plan B but he would make up for it with the most prolific decade of his [...]