In an era where franchising, universe-building and corporate acquisitions determine the aesthetic of so much American cinema, there’s something wonderfully refresing about [...]

At their core, the original Indiana Jones films were about introducing a new kind of space to American cinema – what might be described as hyperreal chamber spaces. Just as [...]

With The King of Comedy, Martin Scorsese farewelled the golden era of New Hollywood, commencing upon a string of self-consciously minor films that would produce his most [...]

Between Host and Dashcam, Rob Savage established himself as the poet of pandemic spatiality – one of the few directors who managed to capture the atmosphere of lockdown in [...]

Jessica Hausner’s latest film is an eerie and excoriating satire of what might be described as the corporate New Age moment and its fixation on wellness, mindfulness and [...]

Anatomy of a Fall, Justine Triet’s Golden Palm-winning drama, might equally be called Anatomy of a Marriage. It’s about a couple, Sandra, played by Sandra Hüller, and [...]

On the face of it, Daniel Goldhaber’s How to Blow Up a Pipeline might seem like an impossible project. It’s an adaptation of Andreas Malm’s non-fiction book of the same [...]

Book Club 2: The Next Chapter reunites us with the foursome of the original film – Vivian, played by Jane Fonda, Diane, played by Diane Keaton, Sharon, played by Candice [...]

Raging Bull may be the film where Martin Scorsese’s camera digs deepest beneath the skin of his characters, and most insinutates itself into their proprioceptive purview. [...]

Past Lives, Celine Song’s debut film, starts with three figures at a bar – a Korean, a Korean-American and an American – as a couple of other people speculate on the [...]