Written by Kevin Williamson and directed by Robert Rodriguez, The Faculty is one of the great American anti-sports films, a riposte to the culture that produced The Waterboy [...]

Beth de Araújo’s Soft & Quiet is one of the more remarkable films I’ve seen in some time – a stunning vision of how and why white women might perpetuate a [...]

It’s hard to adapt H.P. Lovecraft in a straightforward way, for at least two reasons. First, his stories largely defy visualisation, and are often about experiences that [...]

The Banshees of Inisherin is the first of Martin McDonagh’s films to be set exclusively in Ireland, so it’s perhaps not surprising that it harkens back to The Leenane [...]

In the mid-2010s, there was a waning of Christmas affect, a widespread sense, at least in cinema, that the holiday releases of the past were no longer tenable. The most [...]

From the palatial cinemas of giallo to a Shudder Original, Dark Glasses, Dario Argento’s most recent film, is the very definition of late work – a meditation on his [...]

Significant Other, the fourth feature from Dan Berk and Robert Olsen, is an ingenious twist on one of the dominant trends of recent science fiction – namely, a new taste [...]

Glass Onion isn’t exactly a sequel to Knives Out so much as the start of a new Netflix franchise, each instalment of which will presumably follow private investigator [...]

Co-written by Tony Kushner, Steven Spielberg’s semi-autobiographical account of his own childhood, The Fabelmans, is one of his very best films, and one of the great odes [...]

For long stretches, Blonde, Andrew Dominik’s adaptation of the 2000 novel by Joyce Carol Oates, is one of the great films about Hollywood, as visionary, in its own way, as [...]