Walk Into Paradise sits around the middle of Chips Rafferty’s career, and offers a fascinating vision of both the Australian adventure genre, and Australian perceptions of [...]

With 10 Cloverfield Lane, Dan Trachtenberg reinvented what a franchise could be, and he’s repeated that process with Prey – as radical a reinvention as Predator 2, and an [...]

Over his last few films, Sean Baker has mounted a retreat from what Scott Herring describes as queer urbanism – the assumption that cosmopolitan American cities, especially [...]

A film that now feels lost to time, Fire in the Sky is a dramatization of the Travis Walton UFO Incident, which took place just outside Snowflake, Arizona in 1975. Walton and [...]

Filming a sequel to 2001: A Space Odyssey is a bold prospect, but Peter Hyams managed to do it with some success in 2010: The Year We Make Contact, an adaptation of Arthur C. [...]

The Black Phone is Scott Derrickson’s latest film – and it is an extraordinary continuation of the concepts and approaches that he adopted in Sinister. Based on a short [...]

In possibly the greatest escape story ever committed to film, The Rescue tells the epic of the 2018 Tham Luang cave rescue, in which a team of twelve association football [...]

Despite receiving negligible big screen time, Ambulance is one of the more remarkable films in Michael Bay’s career, a late masterpiece that is comparable in scale and [...]

Mimi Cave’s Fresh is the latest addition to the burgeoning new wave of cannibal horror films, although it veers more towards a psychological thriller, recalling 10 [...]

Ti West’s latest film, X, is a remarkable dissection of the 70s counterculture, the backlash it produced, and the ways we might think about that reaction in the present [...]